A wonderful film last night reminded me of a forgotten infatuation with Bohumil Hrabal, a Czech author I devoured a decade ago and have forced on many a friend and lover since. "Closely Watched Trains" (Ostře sledované vlaky, 1966) chronicles the sweet fate of a boy desperately trying to lose his virginity in the midst of Nazi occupation during the second world war.
Sure, there's plenty of subtle symbolism and anti-Nazi/Soviet commentary, but what Hrabal captures best (and does in all of his stories) is the simple soul in every person. There are never any supermen, no malicious foes. Each character is a pool of water, deep and so transparent. And so terribly innocent to be heartbreakingly funny all the way up to the equally heartbreaking end. Things never end well, because things never were well to start with. "Jde to, ale žře to" (I'm OK but it hurts) is my favorite Czech greeting (not only because it would always make my friend's mom laugh every time I said it) but because it seems to sum up the furrowed-brow existence of an honest person in a small place, shuffling in the permanent shadow of something much bigger and stronger -- much like Hrabal's sometimes foolish, always wise characters.